CHRISTINE HINZ LENZEN

The ongoing series Forever a Wilderness was born from my desire to create a visual mythos of the Great Lakes’ north woods culture – particularly for the Upper Peninsula of Michigan. Often left off maps of the United States, the Upper Peninsula stretches across almost the entire southern shore of Lake Superior, and contains almost a third of the land mass in Michigan, but with only three percent of its population. While the Upper Peninsula is geographically in the Midwest, the culture and landscape here is markedly different than the traits that are typically associated with the rest of middle America: instead of mile after mile of flat farmland, we have 8.8 million acres of forest; instead of a tornado season, we have blizzards and effectively seven months of winter; instead of a claim to the world’s largest ball of twine, we have Lake Superior, the world’s largest freshwater lake.

The Upper Peninsula is isolated and remote – the first Governor of Michigan once described the area as a “sterile region… destined by soil and climate to remain forever a wilderness.”  The residents of the U.P. (colloquially called Yoopers) might be described as walking contradictions as they tend toward hearty individualism - nonconformist and self-reliant - but are also fiercely supportive of their communities with an incredibly strong sense of regional pride. It is the sparsity of population combined with the severity of our winters that elicit these characteristics of Yooper culture. Similar to how place can become intrinsically important to understanding the psychologies of characters in great literature, these photographs echo the sensibilities of this region and its people. While this work is perhaps an ode to my love affair with the Upper Peninsula, it is also a portrait of what much of rural America embodies: pride in our wilderness, commitment to our communities, and the ability to forge through tough times.

For more information on Forever A Wilderness: Lenscratch Interview

At face value, the photographs from the series In the Woods are an homage to our natural world’s picturesque beauty. For each piece, portraits of trees are printed directly on birch bark using the cyanotype process. Every tree in the forest is unique, and similarly, due to this printing process no piece from this series can be exactly replicated.

However, due to the high acidity of the birch onto which these images are printed, over time it is possible that every one of them will change color, degrade, and eventually vanish. While we may revere the natural world’s beauty, societally we practice a disregard for its future. Without preventative measures, our beautiful natural spaces, like these images, will continue to disappear.